Aurora joins Capella Clausura for performances of Vivaldi’s Gloria as well as the soprano 2 soloist in Bembo’s Te Deum

Aurora joins Capella Clausura for performances of Vivaldi’s Gloria as well as the soprano 2 soloist in Bembo’s Te Deum

Aurora joins the Harvard Radcliffe Chorus as the soprano soloist for their all American program of Alice Parker’s Melodious Accord, Stephen Paulus’s An American Medley, and Daniel Pinkham’s Getting to Heaven sets the poetry of Emily Dickinson.

Led by conductor Edward Elwyn Jones

Aurora will debut as soprano soloist for The Newburyport Choral Society’s production of Elijah, the great oratorio by Felix Mendelssohn, under the baton of Dr. Minji Kim. May 1st at 7:30pm, and 3rd at 4pm.

Aurora will debut as soprano soloist for The Newburyport Choral Society’s production of Elijah, the great oratorio by Felix Mendelssohn, under the baton of Dr. Minji Kim.

Aurora joins the ensemble of Boston Baroque for Idomeneo by Mozart.

Aurora joins the chamber ensemble for a concert and premiere with the Winchendon Music Festival, led by Andrew Arceci

Aurora joins the ensemble of Boston Baroque for Idomeneo by Mozart.

Aurora joins Sounds of Stow as the soprano soloist for Christopher Tin’s oratorio, “To Shiver the Skies”

Aurora sings in the Semi-Finals for the 2026 Lyndon Woodside Solo Competition with the Oratorio Society of New York.

Aurora performs soprano lead “Nitocris” in Handel’s opera Belshazzar with the Falmouth Chorale under the direction of Andrew Welch.

Concert-style production.

Aurora performs soprano lead “Nitocris” in Handel’s opera Belshazzar with the Falmouth Chorale under the direction of Andrew Welch.

Concert-style production.

Aurora sings “Businesswoman” and joins the chorus of Odyssey Opera for Menotti’s comedic tale: The Last Savage.

Directed by Gil Rose, fully staged at The Huntington Theater

Aurora performs the role of Ascanius in Berlioz’s Les Troyens with Federico Cortese leading the Boston Youth Symphony Orchestra. Acts 3-5 being performed in Harvard’s Sanders Theater.

Aurora joins the ensemble of Emmanuel Music for BWV 133 for their Christmas Eve service.

Aurora returns to Harvard as the soprano soloist for Handel’s Messiah.

Aurora joins the ensemble of Emmanuel Music for BWV 1 as part of their weekly cantata series.

Aurora returns to the Lilypad in Cambridge for Cambridge Chamber Ensemble’s 2nd Messiah Singalong! Doors open at 7pm, music begins at 7:30pm. Soloists and audience as the chorus!

Aurora Martin, Soprano

Sara Mitnik, mezzo

Michael Gonzales, tenor,

Junhan Choi, baritone

Stephanie Beatrice, conductor

Libor Dudas, piano

Aurora joins the ensemble of Emmanuel in Bach’s iconic oratorio.

Charles Blandy, Evangelist
‍and soloists from the Orchestra and Chorus of Emmanuel Music

Aurora joins the ensemble of Emmanuel in Bach’s iconic oratorio.

Charles Blandy, Evangelist
‍and soloists from the Orchestra and Chorus of Emmanuel Music

Aurora joins Labyrinth Choir for their Christmas Concert.

Aurora joins the ensemble of Boston Baroque for Handel’s Messiah.

Aurora sings with Labyrinth Choir for their Christmas concert.

Aurora performs with the ensemble of Boston Baroque for Handel’s Messiah.

Aurora joins the ensemble of Emmanuel Music for BWV 139 as part of their weekly cantata series.

Aurora joins Labyrinth Choir for their Halloween concert.

Aurora joins the ensemble of Emmanuel Music in a semi-staged chamber opera Dido’s Ghost, presented at MIT’s Thomas Tull Concert Hall.

Carley DeFranco, Anna/Dido
‍David Thomas Mather, Aeneas
‍Jonathan Woody, Elymas/Sorceress
‍Katherine Maysek, Lavinia/Spirit
‍Morgan Mastrangelo, Ascanius/First Sailor
‍Corrine Byrne, Belinda
‍
‍Rebecca Miller Kratzer, Director
‍Shura Baryshnikov, Choreographer

Aurora joins the ensemble of Emmanuel Music in a semi-staged chamber opera Dido’s Ghost, presented at MIT’s Thomas Tull Concert Hall.

Carley DeFranco, Anna/Dido
‍David Thomas Mather, Aeneas
‍Jonathan Woody, Elymas/Sorceress
‍Katherine Maysek, Lavinia/Spirit
‍Morgan Mastrangelo, Ascanius/First Sailor
‍Corrine Byrne, Belinda
‍
‍Rebecca Miller Kratzer, Director
‍Shura Baryshnikov, Choreographer

As a guest of NEC faculty Sid Richardson, Aurora will present two of the composer’s art songs in Jordan Hall.

“An annual tradition in NEC’s Composition Department, this concert celebrates the life and music of Arthur Berger, an influential composer, critic, and teacher who served on the faculty from 1980-1999. Tonight’s concert focuses on Berger’s contributions to the vocal repertoire with his song cycle about music, love, life, and companionship Five Settings of European Poets, set to five different languages. Curated by composition faculty Sid Richardson, the program also includes vocal pieces by various NEC faculty, including Kati Agócs, Rodney Lister, John Mallia, and Sid Richardson.”

Berger: Five Settings of European Poets
Gandolfi: Lowell Songs
Lister: Ordinary Heartaches and Other Poems of Michael Blumenthal
Richardson: Inscribed on a Lintel
Richardson: How Do I Love Thee?